Friday, July 27, 2012
Making the Best of a Bad Situation
Revolutionary War heroes, Kate and Jack Heard, are enigmas. While slaves in Georgia, they chose to save their white owner from a British hangman’s noose during the American Revolution. For me, the puzzle is why would these slaves save their owner’s life? 1) Stephen Heard was captured. Why didn’t Kate and Jack walk away from him and seek their own personal freedom? 2) The British promised freedom to any slave who helped them to crush the rebels. Why didn’t Kate and Jack help the British? 3) Kate and Jack risked their lives to save Stephen Heard's life. Why would they do that?
The brainteaser for some, however, is not why Kate and Jack saved Stephen Heard, but rather, how they were able to bamboozle the British and carry out one of the greatest escapes of all times. The local legend is that Kate concealed Stephen Heard in a clothes basket and then simply walked out of the prison camp with him hidden in the basket, while Jack waited nearby in the forest with horses to continue their escape.
Of course, for others, the most pressing question is not why or how, but whether Kate really had the strength to lift Stephen Heard and then carry him to safety in a clothes basket.
Truth or legend?
You decide.
Saturday, July 21, 2012
Decision Time
The Jim-Ree African American Museum will feature both permanent and rotating exhibits.
A visitor to the Jim-Ree African American Museum can always expect to see a display featuring the following local heroes from Elbert County, Georgia: Kate and Jack Heard and William Henry Heard. Kate and Jack Heard, slaves, were American Revolutionary War heroes who saved their owner, Stephen Heard, from a Tory's hangman's noose. Stephen Heard later became a governor of Georgia. Nearly a century later, another slave, William Henry Heard, when freed after the Civil War became a Bishop of the African Methodist Episcopal Church and an author of two books: From Slavery to the Bishopric in the AME Church and The Bright Side of African Life. In the book, From Slavery to the Bishopric in the AME Church, William Henry Heard talked about his experiences, in Elbert County, Georgia, both as a slave and as a free man.
The rotating exhibits will be changed three times per year. One such display will feature a doll collection donated by Mrs. Mary Craft of Decatur, Georgia in honor of her sister Mrs. Sara Jo Willingham. Mrs. Sara Jo Willingham was a retired educator from the Elbert County, Georgia School System and a dedicated member of the Jim-Ree Black History Month Committee. The doll collection is a sample of dolls representing famous African Americans. Mrs. Mary Craft is pictured with a James Brown doll from the collection.
Friday, July 13, 2012
More on Rotating Exhibits
There are two African American Museums that are less than
100 miles from the Jim-Ree African American Museum in Elbert County: the Lucy
Craft Laney Museum of Black History in Augusta, Georgia and the Morgan County
African American Museum in Madison, Georgia.
The Lucy Craft Laney Museum of Black History celebrates the life of Lucy
Craft Laney, a renowned educator, through art and history. The museum is
located in the former home of Ms. Laney and is across the street from the Lucy
Craft Laney High School. The museum houses both permanent and rotating
galleries. The permanent exhibits are the Lucy Craft Laney Collection, the
Pilgrim Health and Life Collection, and art works of Dr. Charles Smith and
Alice Davis. The rotating exhibit is the Ebony Legacy Collection that highlights
African Americans from Augusta, Georgia.
The Morgan County African American Museum is a house museum
as well. It has four permanent exhibits: African and African American artifacts and works
of art of African Americans from Morgan County and from other locations. Like the Lucy Craft Laney Museum, the Morgan County African American Museum is housed in an historic structure that is linked to local African American history. John Wesley Moore (1862-1908) was an African American farmer. The Morgan County African American Museum is housed in Moore's former home.
Sunday, July 8, 2012
The Focus of the Museum
While the building is being readied for our use, we have a
huge decision to make: what will be displayed at the museum? As a museum with
itinerant displays for the last seventeen years, our exhibits varied from one
year to the next. We displayed both local and national African American
History. Do we want to continue along this vein of routinely changing all of the displays or do we want to have a mixture
of both permanent and temporary exhibits?
Christine Miller-Betts, the museum director at the Lucy
Craft Laney Museum of Black History in Augusta, Georgia, said that she thought some changes
at a museum were necessary to keep patrons coming back. If there were no
changes, the patron would possibly visit a museum that one time and never
return. ‘The been there, done that’ philosophy would prevail.
With a limited budget for renovations at our
museum site, our immediate exhibit area has become smaller. Our grand notions about
what will be displayed, has been checked.
Monday, July 2, 2012
We met with the architect, Courtney Swann, Wednesday, June 27 at the museum to look at the layout that he had come up with. Of course, this ended up being a bitter sweet session. All the possibilities were defined by three factors: money, the layout of the current building, and federal codes for public buildings. What this means is that the vision we had for the layout of the museum is out. The good news is that before the end of 2012, we will be in the building and open for business.
Subscribe to:
Posts (Atom)